My Cabrel without guitar

Before writing songs, Bastien Lucas listened to a lot of music. But until he was 15, he only listened to Francis Cabrel, and while he was learning piano at the Conservatoire, he taught himself guitar with Cabrel tablatures.
When he felt the call to write, he avidly studied the harmony and counterpoint of classical composers, and for the past twenty years he has been digging his own furrow as a singer, between personal albums (twice awarded a Coup de Coeur by the Académie Charles Cros) and all-round concerts, including the four-handed shows "Toute une vie sans se voir" on the song correspondence between Michel Berger and Véronique Sanson - eligible for the Molières 2024 -, and "Berger/Sanson : quelques mots d'amour en rappels" (which continues this exploration for 2 pianos and 2 voices). Bastien Lucas has found his place somewhere between the delicate sophistication of William Sheller and the lunar lightness of Mathieu Boogaerts.
Here, he relives his seminal childhood through the songs of Francis Cabrel. But to take a fresh look at his intimate memories and these popular refrains, he refrained from playing guitar, so he tells "his" Cabrel story alone at the piano. In the midst of impassioned, strangely familiar anecdotes that echo everyone's own story, we think we recognize Bach, Schubert, Debussy or Satie. But it's nothing but Cabrel...